THEORETICAL FRAMEWORK
This A Level Media Studies specification is based on the theoretical framework for analysing and creating media, which provides learners with the tools to develop a critical understanding and appreciation of the media. The framework consists of four inter-related areas:
media language: how the media through their forms, codes, conventions and techniques communicate meanings
representation: how the media portray events, issues, individuals and social groups
media industries: how the media industries' processes of production, distribution and circulation affect media forms and platforms
audiences: how media forms target, reach and address audiences, how audiences interpret and respond to them, and how members of audiences become producers themselves.
It provides a comprehensive, detailed and focused approach to interpreting and analysing the media, which learners will develop as they study the three components.
Theories
Learners will study a wide range of theoretical approaches and theories, including advanced approaches, to inform and support their analysis of media products and processes. Those listed below must be studied; appropriate additional theories may be studied.
Media Language
Semiotics, including Roland Barthes
Narratology, including Tzvetan Todorov
Genre theory, including Steve Neale
Structuralism, including Claude Lévi-Strauss
Postmodernism, including Jean Baudrillard
Representation
Theories of representation, including Stuart Hall
Theories of identity, including David Gauntlett
Feminist theory, including Liesbet van Zoonen
Feminist theory, including bell hooks
Theories of gender performativity, including Judith Butler
Theories around ethnicity and postcolonial theory, including Paul Gilroy
Media Industries
Power and media industries, including Curran and Seaton
Regulation, including Livingstone and Lunt
Cultural industries, including David Hesmondhalgh
Audiences
Media effects, including Albert Bandura
Cultivation theory, including George Gerbner
Reception theory, including Stuart Hall
Fandom, including Henry Jenkins
‘End of audience’ theories - Clay Shirky.
The specific theoretical approaches and theories to be studied within each component are listed in
Component 1: Section A
Component 1: Section B
Component 2: Section A
Component 2: Section B
Component 2: Section C.
A summary of each theoretical approach or theory is included in Appendix B.