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THEORETICAL FRAMEWORK

This A Level Media Studies specification is based on the theoretical framework for analysing and creating media, which provides learners with the tools to develop a critical understanding and appreciation of the media. The framework consists of four inter-related areas:

 media language: how the media through their forms, codes, conventions and techniques communicate meanings

 representation: how the media portray events, issues, individuals and social groups

 media industries: how the media industries' processes of production, distribution and circulation affect media forms and platforms

 audiences: how media forms target, reach and address audiences, how audiences interpret and respond to them, and how members of audiences become producers themselves.

It provides a comprehensive, detailed and focused approach to interpreting and analysing the media, which learners will develop as they study the three components.

Theories

Learners will study a wide range of theoretical approaches and theories, including advanced approaches, to inform and support their analysis of media products and processes. Those listed below must be studied; appropriate additional theories may be studied.

 

Media Language

 Semiotics, including Roland Barthes

 Narratology, including Tzvetan Todorov

 Genre theory, including Steve Neale

 Structuralism, including Claude Lévi-Strauss

 Postmodernism, including Jean Baudrillard

 

Representation

 Theories of representation, including Stuart Hall

 Theories of identity, including David Gauntlett

 Feminist theory, including Liesbet van Zoonen

 Feminist theory, including bell hooks

 Theories of gender performativity, including Judith Butler

 Theories around ethnicity and postcolonial theory, including Paul Gilroy

 

Media Industries

 Power and media industries, including Curran and Seaton

 Regulation, including Livingstone and Lunt

 Cultural industries, including David Hesmondhalgh

 

Audiences

 Media effects, including Albert Bandura

 Cultivation theory, including George Gerbner

 Reception theory, including Stuart Hall

 Fandom, including Henry Jenkins

 ‘End of audience’ theories - Clay Shirky.

 

The specific theoretical approaches and theories to be studied within each component are listed in

 

Component 1: Section A

Component 1: Section B

Component 2: Section A

Component 2: Section B

Component 2: Section C.

A summary of each theoretical approach or theory is included in Appendix B.

 

 

Contexts of Media
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